Tonight we moved our bodies and danced like teenage gypsies, with all of the self-consciousness and none of the rhythm, and because it was the first time we had really moved our bodies in days, it felt like freedom.
Steinbeck used pencils while they were long and slender, when they felt to him to provide the correct balance—a shape that could propel him forward, like good running shoes; a size to help him pick and prod the right forms, like chopsticks.
I used to have a scar on my left hand that reminded me of my first Thanksgiving without my mother. I wonder now if I can even call it a scar, seeing as how it’s since faded past the point of detection—then again, we all know the most unassailable wounds are often those invisible to the eye. In any case, it was there and now it’s gone. Isn’t that the entire point?
We imagined the day the meteor struck what was now my backyard, how the shrapnel must have blown through the air like dandelion seeds, how that day had been buried by time and dirt, only to be sifted back to the surface by a biblical flood.
I don’t know how old I was the first time I had an obsessive-compulsive thought. I’m not even sure of my age in the earliest memory I have of such an event, although I’ve always assumed it was 6, the number we tend to attribute to all early childhood recollections.
I chose to believe the story for as long as I did because it was the kind of story children want to believe, and, if we’re being honest, the kind of story grownups tell in the first place because some part of them wants to believe it, too.